PAUL HATHWAY: 'IF YOU WANT IT, MAKE IT YOURSELF'

He works from home: one bedroom has been converted to a workshop, with myriad tools, works in progress, and the obligatory and ubiquitous sawdust; another is his showroom, where the end products of his craft are displayed impressively on the walls.

It was Paul’s love of music that led him to what he does today. ‘I was interested in traditional folk music and I went to folk clubs in the sixties where I saw people playing different interesting instruments. I was attracted to playing these, but I couldn’t afford to have a luthier make them for me, so it was a matter of, if you want them, make them yourself’. This approach has afforded Paul a fulfilling career, enabling him to explore the world of traditional music in his own unique way.

His work is time consuming, requiring thought, preparation and craftsmanship. ‘I work 7 days a week, and it’s not uncommon for me to do a 60 hour week. But I don’t see it as work, it’s a pleasure, so I’m happy to invest the time in doing it’.

Making instruments to Paul’s standard requires rare skills, yet he is entirely self-taught. It began as a hobby, and he learned by copying other instruments and reading books, gradually building up the skills required. But he didn’t find it difficult, having always enjoyed working with his hands.  He originally trained as a goldsmith so he was used to making intricate objects and had the patience and confidence to perfect them.

Paul has sold instruments to many well-known musicians. Robert Pattinson owns one, as do two members of Jethro Tull. On top of this, Paul McCartney used one of his mandolins when filming the video for ‘Dance Tonight’.

Many people see television talent shows as damaging to the music industry.  Paul agrees. ‘This approach doesn’t help musicians because the shows on television only produce singers. They demonstrate no talent in playing an instrument.’ This projection of the music industry on shows such as the X-Factor portrays a false image of real musical talent to a predominantly young audience. This could discourage budding musicians who do not rely only on singing. ‘It’s a shame that the concentration lies solely on singing and not other areas of music. There are still a lot of people playing instruments; they don’t get the publicity they deserve.’

‘When I was young I enjoyed pop music – The Beatles, The Stones, The Kinks. I was in a band at school but I later became interested in traditional music and the instruments related to it.’

‘I think it’s important for people – especially young people – to learn music as it’s a great way to relax. Playing an instrument clears the mind as the player must concentrate on their technique. I would recommend it to anyone.’

Paul’s career choice is relatively uncommon. ‘It’s very difficult to break into. If someone hopes to become a luthier, I strongly recommend that they have a workshop at home where they can make instruments. They should also try to get as many people playing their instruments as possible as most of their business will come by word of mouth.’

Paul’s creations are very intricately designed, elegant, and beautiful.  Works of art, I suggest, but he disagrees. ‘I don’t consider myself an artist, I’m a craftsman. I create something that works well and plays well. Although it’s nice for an instrument to look good, the sound and ease of playing are the most important components in creating an instrument.’

Walking away from his house, I couldn’t help but feel a sense of wonder. Inside this semi-detached house in a suburban street lives a modest man who crafts wood and metal into instruments, beautiful in their own right, waiting for musicians to bring them to life and produce wonderful music.